Bas princen biography of martin tn

Before transitioning to photography, Dutch artist Bas Princen studied architecture and product design. Today, his photographs are not only informed by architecture but also by an awareness of human relationships to both built and natural environments. Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes—water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape. 

In his photo Artificial Sand Dune, from his Artificial Arcadia series, Princen pictures a manmade dune along the Dutch coast where birds are often stranded during their annual migrations.

Birdwatchers, alerted via text messages, often travel to the dune to assist the stuck birds; Princen’s documentation of this phenomenon consequently illuminates how human technology can both hinder and aid animals. 

Princen was the recipient of the Silver Lion at the Venice Biennale, the Prix de Rome Architecture in , and the Award for Promising Young Artists and Architects from the Prins Bernard Culture Fund.

Bas princen biography of martin Bas Princen trained as an industrial designer and architect before earning an international reputation for his photographic work, particularly for reflecting the transformation of urban space. Yet, he reflects precisely the traditions that have led to the contemporary. I am curious what kind of ideas are out there, particularly in the field of depicting landscape that I am interested in. Normally, you see colleagues or students that are connected and shaped by the school or the field in which you are working together. But with this special approach, we can interact with a wider scope of possibilities.

His work can be found in public collections worldwide, including at the San Francisco Museum of Modern Art, the Rijksmuseum in …

Before transitioning to photography, Dutch artist Bas Princen studied architecture and product design. Today, his photographs are not only informed by architecture but also by an awareness of human relationships to both built and natural environments.

Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes—water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape. 

In his photo Artificial Sand Dune, from his Artificial Arcadia series, Princen pictures a manmade dune along the Dutch coast where birds are often stranded during their annual migrations.

Birdwatchers, alerted via text messages, often travel to the dune to assist the stuck birds; Princen’s documentation of this phenomenon consequently illuminates how human technology can both hinder and aid animals. 

Princen was the recipient of the Silver Lion at the Venice Biennale, the Prix de Rome Architecture in , and the Award for Promising Young Artists and Architects from the Prins Bernard Culture Fund.

His work can be found in public collections worldwide, including at the San Francisco Museum of Modern Art, the Rijksmuseum in Amsterdam, and The Hague’s Ministry of Foreign Affairs. Princen’s work has also been shown in solo exhibitions at the Netherlands Architecture Institute, the National Gallery in Amman, Jordan, and the Institut Néerlandais in Paris, among many others.