Elina garanca

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  • Elina garanca
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    “Only a mere handful [of singers] combine beauty of voice, technical excellence and searching musicianship, alongside that indefinable magic called charisma or star quality – but among that supreme élite … Elīna Garanča must surely have a high place.” The Daily Telegraph

    Born into a musical family in the Latvian capital Riga, Elīna Garanča entered the Latvian Academy of Music at the age of 20 and was soon on her way to becoming one of the world’s most outstanding mezzo-sopranos.

    She started as she meant to go on: while still a student she stepped in at just ten days’ notice to perform the role of Giovanna Seymour in Donizetti’s Anna Bolena, uncovering a love affair with the bel canto repertoire which has since seen her through countless breathtaking performances.

    When she graduated from the Academy she joined the Meiningen Staatstheater in Germany, appeared as a resident artist with the Frankfurt Opera, sang at the Savonlinna Opera Festival, was a finalist in the BBC’s Cardiff Singer of the World Competition and won the Mirjam Helin Singing Competition in Finland.

    She consolidated her early career singing at the Vienna State Opera, the Salzburg Festival, the Helsinki Opera’s Rossini Festival, in Paris, Aix-en-Provence, Lucerne and Graz, and in made a guest appearance for Deutsche Grammophon when she joined Anna Netrebko in a scene and cavatina from Lucia di Lammermoor on Netrebko’s debut album, Opera Arias.

    In her extraordinary gifts were recognised with an exclusive contract from the Yellow Label.

    Her first solo recording, Aria Cantilena, came in , winning great acclaim and an Echo Klassik Singer of the Year award.

    Klassikakzente elina garanca biography She began to study singing in her hometown of Riga in and continued her studies in Vienna and in the United States. Worldwide engagements followed her Salzburg Festival appearances. In , she returned to La clemenza di Tito , this time singing the part of Sesto. Garanca is the real thing Modern singing techniques adapt with difficulty to Rossini's earlyth-century emphasis on speed, lightness and athletic articulation, and Ms.

    She followed it with Bel Canto in , winning another Echo Klassik award and a BBC Music Magazine Award. Habanera was released in , Romantique in and Meditation in , the latter two albums taking further Echo Klassik awards. In she released Revive, a personal choice of repertoire (by Verdi, Massenet, Cilea, Saint-Saëns and Berlioz, among others) that reflected the way in which her voice was developing, enabling her to venture into new and challenging territory.

    Garanča has also contributed to many complete-opera recordings, including Carmen, Anna Bolena, La Cenerentola, I Capuleti e i Montecchi and, most recently, La Favorite, recorded live at the Bavarian State Opera.

    In May she released Sol y vida, her first album of entirely non core-classical repertoire, recorded with the Orquesta Filarmónica Gran Canaria and Karel Mark Chichon.

    Klassikakzente elina garanca biography images

    She has captured critical and popular acclaim for her beautiful voice, intelligent musicianship, and compelling stage portrayals. We have already invited many young musical guests to our concerts, who consequently started a world career. Finding these young talents, but also accompanying them through tough classical music business and offering them a helping hand for the next step in their careers, that is a great dream for both of us. A dream coming true. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site.

    It features popular songs from Italy, Spain and Latin America, including numbers more often associated with the tenor voice, such as Core ’ngrato and Turna a Surriento, as well as two gems of the Latin American repertoire in which she is joined by guitarist José María Gallardo del Rey: Gracias a la vida and Piazzolla’s Yo soy María.

    The album earned Garanča the Opus Klassik “Female Singer of the Year” award.

    Her latest recording is her first solo recital album and includes a contrasting selection of Lieder by Brahms alongside Schumann’s song cycle Frauenliebe und Leben. Garanča is accompanied on the recording by pianist Malcolm Martineau, with whom she has frequently performed the Lieder repertoire live on stage worldwide.

    They recorded the album in Berlin in July and it is set for international release on 6 November.

    On stage, Garanča’s early roles included Annio and Sesto in La clemenza di Tito, Charlotte in Werther, Dorabella in Così fan tutte and Rosina in Il barbiere di Siviglia.

    Klassikakzente elina garanca biography wikipedia With a musical family background, she began to study singing in her hometown of Riga in and continued her studies in Vienna and in the United States. By she had won first Place in a significant competition in Finland and had begun a career in Europe. Worldwide engagements quickly followed her Salzburg Festival appearances. Since she has been continuing her vocal development with voice teacher Dale Fundling. New : Save your favorite arias, videos and singers!

    She made her Covent Garden debut in and her Metropolitan Opera debut the following year. In she returned to Covent Garden in the title role of Bizet’s Carmen, then starred in a new production of the work at the Met which was broadcast in more than a thousand cinemas worldwide. She was named Musical America’s Vocalist of the Year and won the MIDEM Classical Award as Singer of the Year.

    In , she became one of the youngest recipients of the Vienna State Opera’s “Kammersängerin” award, marking her performances of 18 roles since her debut in the house in

    In March , she made a critically acclaimed role debut as Sara, Duchess of Nottingham, in the Met’s first ever production of Donizetti’s Roberto Devereux, and in October she made her highly-anticipated first stage appearances as Léonor de Guzman in the Bavarian State Opera’s premiere production of Donizetti’s La Favorite (a role she first played in concert at the Salzburg Festival in ).

    Anna netrebko biography Elina Garanca is a Latvian opera singer and mezzo-soprano, and one of the newest stars in the world of music. She was born on September 16, , in Riga, Latvia, into a family of musicians. Her father is a choir director, and her mother is a singer specializing in romances and a vocal teacher. She is also a vocal coach at the Latvian National Opera, where she also gives private lessons. Elina's older brother, Janis, initially studied music but later switched to computer design.

    The –17 season also saw Garanča make her debut in a dramatic, verismo role – that of Santuzza in Cavalleria rusticana at the Paris Opéra – and her final appearances as Octavian in Der Rosenkavalier, at the Metropolitan Opera. The following season she made two further much-praised debuts: Princess Eboli in the Paris Opéra’s new production of Don Carlos and Dalila in Saint-Saëns’s Samson et Dalila at the Vienna Staatsoper.

    Highlights of her –20 stage and concert/recital season included concerts in Vienna, Hamburg and Graz with the Wiener Kammerorchester and Karel Mark Chichon, concert performances of La Damnation de Faust at the Metropolitan Opera (“Her mezzo-soprano, a pearl-smooth column of silvery sound that soars into the theater like a laser, remains one of the most coolly luxurious voices in opera.” – The New YorkTimes) and Mahler’s Third Symphony with the Berliner Philharmoniker and Lorenzo Viotti at the Berlin Philharmonie.

    Having given two performances of Wagner’s Wesendonck Lieder at this summer’s Salzburg Festival with the Wiener Philharmoniker and Christian Thielemann, Garanča began the current season in Italy, singing the Verdi Requiem with the Chorus and Orchestra of La Scala and Riccardo Chailly in Milan, Bergamo and Brescia.

    Forthcoming engagements include recitals in Austria and Germany with Malcolm Martineau featuring works by Rachmaninov and Richard Strauss as well as songs from Spain (November ); her role debuts as Amneris in Verdi’s Aida at the Opéra de Paris (February ) and Kundry in Wagner’s Parsifal at the Vienna Staatsoper (April ); and a further recital with Martineau at New York’s Carnegie Hall as part of its “Great Singers” series (May ).

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