Mga akda ni rogelio sikat

Rogelio Sicat (June 26, &#; ), sometimes referred to as "Rogelio Sikat", was a prolific Filipino novelist, playwright and short story writer. Sikat is best known for his classic masterpieces particularly "Impeng Negro", a short story based on a half-black, half-Filipino boy and Moses, Moses, a play in one act that depicts the social injustices and the abuse of the country's oppressive politicians.

He uses "Sikat" as a pen name to reflect on his Filipino identity (The Filipino alphabet originally does not have the letter c) as his real surname is "Sicat".

Apart from being one of the Philippines’ finest modern literary figures, Sikat was also a distinguished educator. He was a former university professor and former college dean of the University of the Philippines’ College of Arts and Letters.

Rogelio sikat biography meaning Sikat is best known for his classic masterpieces particularly Impeng Negro, a short story based on a half-black, half-Filipino boy and Moses, Moses, a play in one act that depicts the social injustices and the abuse of the country's oppressive politicians. He uses "Sikat" as a pen name to reflect on his Filipino identity The Filipino alphabet originally does not have the letter c as his real surname is "Sicat". About: Rogelio R. Sikat's love for literature further heightened and his writing skills flourished with his stint with The Varsitarian. After finishing his Bachelor of Arts in Journalism, Sikat continued his love for writing.

Sikat was born on June 26, , in the town of San Isidro in the province of Nueva Ecija, as the sixth of eight children of Estanislao Sikat and Crisanta Rodriguez. For his college education, Sikat went to Manila to study in the University of Santo Tomas.

During his time at UST, Sikat served as a writer for the university's official newspaper, The Varsitarian.

Sikat's love for literature further heightened and his writing skills flourished with his stint with The Varsitarian.^[1]

After finishing his Bachelor of Arts in Journalism, Sikat continued his love for writing. Despite the country's love for western culture, Sikat took the path less traveled and wrote and succeeded with the Filipino language.

In , Sikat's "Impeng Negro" won the first prize in Liwayway magazine's best short story and the prized Carlos Palanca Award both in the same year.^[2][3] It catapulted Sikat into the upper echelons of Philippine literature. "Impeng Negro" touches critical social issues including racism and bullying.

Biography in a sentence Araling Pinoy. Dedicated to Mellec Computer Center Clients. Sikat received numerous literary prizes but he was particularly remembered for "Impeng Negro", his Palanca awardwinning short fiction in Filipino Tagalog. Many of his ground-breaking stories first appeared in Liwayway, a long-running magazine with a particularly strong Tagalog literary section. A posthumous appreciation of Sicat's achievements were highlighted by award-winning writer Lilia Quindoza-Santiago in Living and Dying as a Writer.

"Impeng Negro" was adapted into a short film entitled, Impen, the Negro. The short minute film won 1st prize in the Short Feature Film Category in the 12th Gawad CCP for alternative film and video.

Sikat wrote several other short stories during his lifetime including "Tata Selo", a fictional narrative based on the real-life land reform issues and recurring political cruelties in the Philippines.

It won the second prize in the Carlos Palanca Award for ^[3] It was later adapted for the anthology film Tres.

In , Sikat's socio-critical play Moses, Moses won the Carlos Palanca Award, further solidifying Sikat's position among the titans of Philippine literature.

Sikat worked in the newspaper and magazine industry, serving as a feature writer for the long-running Liwayway magazine.^[4]

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