Peter m clarke architectural oval one

A Celebration of Structuralist Traditions
Designed back in and completed late - The new Multi-Purpose Hall is a much needed addition to the Caroline Chisholm College landscape where previousy, there was no space within the college grounds where students and staff could can come together for assemblies, celebrations, masses or sporting activities.
Derived from a series of key architectural responses that relate directly to site, context and culture of place, The architectural response to the brief was responsive to the Industrial history of the local Braybrook environment.

Peter m clarke architectural oval one May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus. Content that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post.

This provoked an exploration and celebration of some of the rich traditions of the expressive ‘Structuralist’ architectural movement in Melbourne which was prominent in the `s onward. A building of note from this period is the Melbourne Olympic Swimming Pool by Kevin Borland, Peter McIntyre + John and Phyllis Murphy completed around
The flexible, floor plate has been designed to accommodate around seated students during assemblies and the like.

A series of operable glass fire-station doors allow the building to open- up to the surrounding ovals, quadrangle and school playgrounds in order to facilitate an even larger quantity of occupants under a variety of circumstances. The building can act like one large expanding and contracting ‘canopy’ depending on the required use and audience.
Along the northern elevation the building opens up to the oval and creates a continuity of land- scape and built form through a series of glass operable doors in conjunction with the implemen- tation of a terracing, grassed viewing area which steps to creating seating,
potential informal study, storage and activity areas.

This external area is partly covered by an impressive large cantilevered awning that provides shade and weather protection during lunch- times and recess. In conjunction to this large awning, a series of north-facing, pop-up [saw-tooth like] high-level windows, permit light into all areas of the main stadium space throughout the day.
The external facades are to be clad in three primary materials:
The lower section of the facades are predominately operable glass, to allow flexibility and permeability to the internal / external spaces.
The middle level of the facade is to be clad with concrete which wraps the south, east and west facades to gently terminate into the ground at the northern edge of the building.
At high-level, the building will be clad in translucent polycarbonate to introduce filtered light to the interior and at night will create a glowing hood to the building revealing its internal structural language to the street and surrounding context.
The building is broken up into two distinctive yet connected volumes.
The large stadium space is the primary volume whilst the lower reduced scale, ‘street’ proportioned volume hosting administration area, a gymnasium and amenities, provides a transitional buffer between the residential scale, Darnley Street fabric and the larger building fabric within the school grounds.

Peter m clarke architectural oval one piece However, if the small Arab emirate has steadily evolved into a globally recognized cultural hub over the last two decades, credit also goes to the work of his youngest daughter, Sheikha Hoor Al Qasimi, Artist and curator, in she took the reins of the Art Biennial — which was established in — fundamentally reshaping its direction; moreover, she started the Sharjah Art Foundation in , where she serves as president. Rather than erecting new structures, her focus lies in the restoration of existing ones, a step-by-step process through the Foundation. She starts with acquiring abandoned buildings, swiftly repurposing them as venues for the Art Biennial or the Architecture Triennial. Gradually, she evolves them into comprehensive adaptive reuse projects, transforming these spaces into cultural or art centers.

This black steel clad volume is to be read as a
‘suburban silhouette’ providing a visual relationship between the building and the surrounding residential houses along the small side street.
Structurally - the building is made up from a series of structural systems concieved totally in steel:

• Lower area column and beam - Portal frames
• Compression zig-zag trusses to the upper areas of the primary sports gym and lower street facade
• Intervert Trusses which suport the large cantilevered external roof
• Couterweighted structure through operable doors to lower areas The typical internal height of the main stadium space is 8mts to provide a more relatable scale of the building to its occupants, its context within the school and the surrounding neighbourhood.

  Similarly the lower volume is relative to the surrouding house heights in the area. The building is also further grounded within its site by a rich native Australian palette of trees and landscaping to the extent of its perimeter.
  Project Team: Branch Studio Architects: Brad Wray - Design Architect Nicholas Russo - Project Architect Jax Lam - Project Architect Simon Dinh Arun Lakshmanan Structural Engineer: OPS Engineers Builder: Lloyd Group Building Surveyor: Michel Group Building Surveyors Landscape Architect: Orchard Design